[A]Dressing death: fashioning garments for the grave

Interlandi, P 2012, [A]Dressing death: fashioning garments for the grave, Doctor of Philosophy (PhD), Architecture and Design, RMIT University.

Document type: Thesis
Collection: Theses

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Title [A]Dressing death: fashioning garments for the grave
Author(s) Interlandi, P
Year 2012
Abstract This research explores the ways fashion design can directly approach the realities of the dead body, specifically, the moments between death and disintegration, and in doing so, seeks to contribute to the ways in which fashion design can play an important role in the way we approach the dead body and the rituals surrounding death. Fashion designers largely cater to living bodies. While there has been an increasing use of death related imagery within the fashion field, most notably in the area of advertising and digital media, this is vastly different from approaching the actuality of ‘the dead.’ While the dead body may be absent of life, it becomes part of a series of cultural, material, emotional, and ethical processes that have been largely neglected by fashion design. Generally, the dead body is approached by dressing and wrapping to cover and shield it (and the living) from its vulnerable, transient state. A key aim of the research has been to seek alternative ways to dress the dead body – both through the design of actual purpose-built garments, and in the way the act of dressing the body with these garments can affect our approach to death and the dead body. The research has been undertaken through a series of creative projects involving fashioned processes and garments. Projects have been produced and have evolved in response to the moments between death and disintegration in three primary ways. Firstly, through the design of garments that literally, dissolve as a way to explore the disintegration of the garment as an aesthetic process. Secondly, it is examined through exploring processes of growth and formation in the earth, where plant roots are grown in body moulds. The third body of work explores the realities of decomposition, engaging directly with the visceral nature of ‘disgust,’ through the dressing, burial and exhumation of pig bodies, done in the context of a scientific experiment. Ultimately, this research becomes the beginning of a new type of fashion practice, catering to the care and dressing of the dead. It makes contributions to ways in which we might deal with dead bodies, and to thinking about the potential role of fashion design as the fashioning of processes, rather than simply the design of garments.
Degree Doctor of Philosophy (PhD)
Institution RMIT University
School, Department or Centre Architecture and Design
Keyword(s) Fashion
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Created: Fri, 29 Nov 2013, 08:14:07 EST by Denise Paciocco
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