Making sense of ‘food’ animals: a critical exploration of the persistence of ‘meat’

Arcari, P 2018, Making sense of ‘food’ animals: a critical exploration of the persistence of ‘meat’, Doctor of Philosophy (PhD), Global, Urban and Social Studies, RMIT University.


Document type: Thesis
Collection: Theses

Attached Files
Name Description MIMEType Size
Arcari.pdf Thesis application/pdf 4.76MB
Title Making sense of ‘food’ animals: a critical exploration of the persistence of ‘meat’
Author(s) Arcari, P
Year 2018
Abstract Food-related practices are constantly in flux, characterised by variation over time, between places and across cultures. However, amidst this fluidity, the edibility of animals and the consumption of their flesh prevail as enduring components of these practices. Attending to this two-fold persistence—in meat consumption and the constitution of animals as ‘food’—this thesis extends current understandings of ‘meaty practices’ by exploring how ‘meat’ and ‘food’ animals are ‘made sense of’ specifically when their environmental and ethical legitimacy is challenged. The aim is to reveal additional, and arguably more fundamental, aspects of meat’s persistence that might indicate more effective ways to unsettle, and ideally dismantle, associated practices. Re-constituted, and re-affirmed, understandings of meat and ‘food’ animals were sought through semi-structured interviews with 41 self-identified producers and consumers of ‘ethical’ and ‘sustainable’ meat in the greater Melbourne region of Australia. Foucault’s regime of power/knowledge/ pleasure was used to analyse data from a critically posthuman perspective, and also informs the structural organisation of the thesis. Foregrounding normalized mechanisms by which animals’ bodies are meatified, mapped, and rendered edible, and by which certain animals and ‘meat’ are variably rendered more ‘ethically’ edible than others, this approach reveals deeply embodied dimensions of meaty practices.

It is these embodied entanglements of knowledge, emotions and senses that contribute, I argue, to steadfast legitimations of ‘food’ animals and the edibility of their flesh, and hence to the persistence of practices that rely on, and reinforce, the associated domination of animals. Drawing on Mulvey’s exposition on the pleasure of looking, the final part of the thesis introduces the notion of the ‘entitled gaze’ which is seen as exemplifying humans’ effective, and affective, embodiment of animals’ domination. Under this gaze, the increasing visibility of ‘food’ animals, meat, and associated practices, seen especially in the ‘ethical foodscape, is ‘made sense of’ in ways that reinforce rather than challenge relations of domination. I reflect on these findings with suggestions for how to start unsettling meaty practices in ways that address a priori constitutions and understandings of ‘food’ animals and ‘meat’. The aim is to trouble habitual ways of thinking and acting, create caesuras or ruptures in the normalized order of things, and find opportunities for animals to ‘make sense’ in ways other than as food.
Degree Doctor of Philosophy (PhD)
Institution RMIT University
School, Department or Centre Global, Urban and Social Studies
Subjects Social Change
Social and Cultural Geography
Consumption and Everyday Life
Keyword(s) Ethical
Meat
Critical animal studies
Foucault
Power
Ethico-aesthetics
Pleasure
Senses
Emotions
Posthuman
Emancipatory
Knowledge
Discourse
Gaze
Versions
Version Filter Type
Access Statistics: 41 Abstract Views, 117 File Downloads  -  Detailed Statistics
Created: Wed, 28 Nov 2018, 08:25:25 EST by Keely Chapman
© 2014 RMIT Research Repository • Powered by Fez SoftwareContact us