Atlas of sensations - on sensibilities in a computational design practice

Manninger, S 2018, Atlas of sensations - on sensibilities in a computational design practice, Doctor of Philosophy (PhD), Architecture and Urban Design, RMIT University.


Document type: Thesis
Collection: Theses

Attached Files
Name Description MIMEType Size
Manninger.pdf Thesis application/pdf 75.97MB
Title Atlas of sensations - on sensibilities in a computational design practice
Author(s) Manninger, S
Year 2018
Abstract The driving force behind the body of work of SPAN is defined by the application of advanced computational design methodologies. This dissertation can be understood as a cartography (in the best tradition of an atlas) of the work of the practice from its founding year 2003 until 2017 - a period profoundly shaped by the progress made in technological advances. These technological means allow SPAN to discuss architectural project through a series of different lenses such as conceptualization, planning, fabrication to the maintenance of the designed objects, through the use of emerging technical opportunities wither this be the interrogation of novel geometries (Blocks, Ore, Barcelona Recursion), computational methods of rationalization (Expo Façade) or advanced methods of fabrication (Robots, as for example in Plato's Columns). In a parallel move between the necessities and desires of the practice and the ambitious studios and seminars in academia, novel toolsets and design concepts are developed to address contemporary architectural problems. These areas can be understood as different territories of interrogation, forming a landscape of opportunities, or as we describe it internally in our office: a design ecology.

The interrogation of these distinct territories, and the unique way in which SPAN assembles those various elements to something larger than its parts, is what constitutes part of SPAN's contribution to the discipline. Apart from projects and visual work, SPAN´s contribution to discourse started early with papers to conferences such as IASS (International Association for Shell and Spatial Structures) in 2007, Design Modeling Symposium in 2008, and ACADIA (Association for Computer Aided Design in Architecture) in 2008, which included ideas such as the application of tissue engineering in architecture, aspects of artifact and affect, fabrication, and considerations on architectural details in complex curved geometries.

Within the Atlas of Sensations, a second ecology is defined by the contribution to the paradigm shift in the discourse from the continuous to the hyper-articulated surface, which contains an additional level of information. A surface, which describes architectural properties through the deep pochés, folds, joints, niches, and arches it generates.  The question is: How does this shift in the conception of architecture affect the qualities of the design, and by extension the context these objects construct? To further investigate this question the work focuses on one part of the practice's design ecology: design sensibilities. In order to interrogate this question, the presented work observes these moments in SPAN's practice through the lens of geometrical properties. Ultimately resulting in thoughts on Postdigital design ecologies that discuss aspects of design agency in our contemporary age.
Degree Doctor of Philosophy (PhD)
Institution RMIT University
School, Department or Centre Architecture and Urban Design
Subjects Architectural Design
Keyword(s) Architecture
Design
Computation
Geometry
Sensibility
Versions
Version Filter Type
Access Statistics: 34 Abstract Views, 21 File Downloads  -  Detailed Statistics
Created: Thu, 27 Feb 2020, 12:55:15 EST by Adam Rivett
© 2014 RMIT Research Repository • Powered by Fez SoftwareContact us