Dronopoetics: Unmanned Aerial Cinematography and Ivan Sen's Goldstone

Binns, D 2019, 'Dronopoetics: Unmanned Aerial Cinematography and Ivan Sen's Goldstone', Journal of Asia-Pacific Pop Culture, vol. 4, no. 1, pp. 26-41.


Document type: Journal Article
Collection: Journal Articles

Title Dronopoetics: Unmanned Aerial Cinematography and Ivan Sen's Goldstone
Author(s) Binns, D
Year 2019
Journal name Journal of Asia-Pacific Pop Culture
Volume number 4
Issue number 1
Start page 26
End page 41
Total pages 16
Publisher Pennsylvania State University Press
Abstract The use of unmanned aerial vehicles in mainstream cinema has been underexplored in film scholarship. This article seeks to address this by looking at Ivan Sen's use of odd aerial perspectives in his 2016 film Goldstone, captured with the use of drones. This article considers the history of aerial photography and its impacts, before analyzing three drone shots from Goldstone, in terms of what these shots contain, and how they are situated in the edit. What is proposed is a poetics of drone cinematography, as observed in Sen's film but applicable to all visual media. This poetics considers what the drone affords the cinematographer, director, and editor in terms of perspective. Finally, Deleuze's film-philosophy and posthuman theory are co-opted to explore what drone footage affords Ivan Sen and all filmmakers in terms of the cinematic inscription of an attitude to the environment.
Subject Cinema Studies
Keyword(s) film studies
drones
cinematography
posthumanism
poetics
Copyright notice © 2019 The Pennsylvania State University
ISSN 2380-7679
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